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This research project aims at analysing the ongoing changes of literary communication in programmable and networked media, particularly on the Internet. It is still highly controversial if such networks are only providing a new – so-called ‘digital’ – archive for all kinds of literary texts or if new literary forms are emerging whose aesthetic qualities can only be realised in this medium. Therefore we heuristically differentiate between “literature on the net” – i.e. texts which have only been transferred from their original storage devices such as books or manuscripts to computer servers – and innovative forms of “net literature”. The main categories of previous approaches such as digitalisation, collaborative working or interactivity may be used for describing all sorts of men-machine-communication in computer networks. We, however, regard the semiotic difference between strings and nets of signifiers as the foundation of a theory of “net literature” which calls basic concepts such as “author”, “work” and “reader” into question. In this context, we regard “net literature” as a test case for media upheavals and social change in the broader sense. |
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